“All writing is discipline, but screenwriting is a drill sergeant.” ― Robert McKee,
Last year, I used two different e-query services to seek representation for two different screenplays. Here’s what happened.
Over the course of several years, I had written two, feature length screenplays. Each one came in at about 120 pages, a tad long for a feature film, but still workable if I could find the right party. One adventuresome tale took place in Central America during a period of political unrest, while the other story was set on a dairy farm in the northeastern U.S. Both plays had strong comedic elements, so I thought I had a chance at optioning one of the stories, though it was definitely a long shot.
Besides, if I could not find a buyer for the scripts, then I could always (1) enter them in screenplay contests, (2) put them up on Black List or (3) use them as an outline for a novel or novella. Since I had already invested 20,000 words in each script, I thought that I already had a pretty good draft for a short novella. Nonetheless, the idea of selling a script to Hollywood (or elsewhere) was tempting and possibly lucrative, so I chose to go down that road first.
The E-query Services
Conventional advice says not to use an e-query service for seeking representation for a screenplay or anything else literary. According to popular opinion a writer is much better off, submitting query letters to individual professionals, whose field of interest most closely matches your story. But I had tried that method with no significant results, so I decided spend a little money on an e-query service.
The dairy farm script went out through Scriptblaster and for the Central American story, I chose E-query Direct. The price was 39.99 for E-query Direct (300 recipients) and 89.00 for Scriptblaster (650 recipients). Each service produced one contact worthy of mention, which is more interest than I had received from sending out queries one at a time and personalizing each query to the appropriate party. Following are my results.
An Ongoing Relationship
One development company, located in Los Angeles, requested a PDF (standard fare for screenplays) for the Central American story, then over a year later, they requested the other script, even though I had not promoted these screenplays at any other time. The readers gave very favorable comments about each story, but at this point in time, I have not received any offers on either story. However, when I do complete my next script, I will definitely be contacting this group about my latest effort.
The Phone Call
The biggest surprise of all came when a successful Hollywood producer called and asked for a paper copy of the dairy farm script. I sent the script by U.S. mail and when I returned the call, I was shocked to find out that I gotten his first name wrong. This upset the man immensely and I have not heard from him since. It is likely that he didn’t like the story, but the other the side of the coin is also possible…….that is he blew me off for unprofessional behavior. Moral of the story: Don’t screw up the small stuff.
Quality Still Counts
Don’t be fooled by the high number of movie professionals that are on the mailing lists of theseonline services, for you still have to have your writing skills down pat, if you want to connect with the film industry. These skills include writing a good query letter, as well as a good movie script. Surprisingly, writing a good query letter might be the most difficult and the most important of these two tasks. Though only a page long, these letters have to be right on. Good karma and Zen enlightenment are a must if you are to succeed with this task.
One More Thing
And then there are those minute, little things called Loglines and Taglines. Consider these the Haiku of screenwriting, for a good one can go a long way in selling the story.