David Allan’s Defense
David Allan Coe, a noted country & western singer and songwriter, had his case against the Prairie Meadows Racetrack and Casino thrown out of court this week by an Iowa judge. The case revolved around an incident that occurred in June 2008, when Coe was visiting the casino and tackled by Polk County sheriif’s deputies because he disobeyed an order from the same deputies. Coe’s reason for not responding to the order is reprinted as the title of this post.
As a response to the incident, Coe had sued the casino operators, but the case was thrown out of court because the judge ruled that the deputies were acting under orders from the deputy’s office and there fore not under control of the casino and racetrack.
Who Is David Allan Coe?
David Allan Coe, now 72 years of age, perhaps achieved his greatest fame as author of “Take This Job and Shove It“, a smash hit made popular by Johny Paycheck. However, Coe is long-standing C & W performer, who has been around the performing circuit for awhile.
Waylon, Willie & Me
Mr. Coe obtained some crossover country-rock attention with a song entitled “Waylon, Willie and Me“, a clever tune that equated the creative value of the Texas “outlaw” music of Waylon Jennings and Willie Nelson with the lesser known singer and songwriter, David Allan Coe. At the time this and other popular tunes provided the Texas singer with a midling recording and performing career, though he never obtained the fame and notoriety of the his two “outlaw” comrades.
C & W “Bad Boy”
Despite his solid reputation as an excellent songwriter, Coe has never received the attention that other singers and songwriters have achieved. This kind of story is always open to speculation, as to why this has happened, and Coe’s trail to fame is no exception. Most likely, it is the singers irascible nature along with his frank exploration of such contemporary issues as drug use, prison time, sexual exploitation and the dark side of rural life that have kept him on the fringes of popular music. Coe was once described by Stephen Thomas Erlewine of Allmusic magazine, as such; ” he may not be the most original outlaw, but there’s none more outlaw than him.”