Cowboy poetry readings are usually called gatherings and may occur at any time of the year. For example, The National Cowboy Poetry Gathering is held every winter (late January or early February) in Elko, Nevada at the Western Folklife Center. The get-together lasts for a long weekend and includes film and music performances, along with the traditional poetry reading and storytelling sequences. It is also a big social event, where members of the sponsoring organization have a chance to get together and share experiences.
Besides the big event at Elko, there are many other Cowboy poetry events that are held around the country. Not surprisingly, many are held in Western States, where ranching is still a way of life. For example, Texas, Montana and Wyoming all have such events on an annual basis. And then, on a smaller scale, fans of this venue can find numerous smaller poetry events, usually supported by interested municipalities, folklore museums and heritage sites. Add all this together and you have an extensive network that supports the colorful poets, storytellers and musicians.
The Bet at the Bar
Watch below, as Waddie Mitchell recounts his humorous tale, The Bet at the Bar. This performance is from the National Cowboy Poetry Gathering in Elko, Nevada.
Music and Poetry
Music is also an important part of Cowboy poetry gatherings. Here Michael Martin Murphy, a successful recording artist in his own right, performs a song at the Elko national gathering.
You would think that by now that the grand wizards of Iran would have come to terms with the renegade writings of Salman Rushdie……But apparently they have not. Believe it or not, Salman Rushdie is back on the Persian hit list of undesirables. (I’m not certain if he was ever free from those lists.) Obviously, there is one thing that is still true. And that one thing is, that for insulting the status quo of Revolutionary Iran, there are no statue of limitations. In fact, as the situation presently stands, the Fatwa on Rushdie was never taken off, but instead it was increased in recent weeks, possibly due to the changing economic picture in Iran. According to PEN, the bounty has received at increase of approximately $600,000 to the already existing 2.8 million.
Could Elections Actually Change Things?
Recently, Iran made international news by holding national elections that did not go quite go the way that the conservative hardliners wanted. However good this may sound, this is not a new struggle in Iran. Centrists, moderates and progressives have from time to time been able to create change in Iran, through elections and other means. Whether the country’s newly signed nuclear deal with the West will actually help secular Iran remains to be seen, but there is definitely a political divide in Iran between the fundamentalists and those who wish to see Iran modernized. This has been going on for years and it is possible that the agreement with the West could benefit these people.
A Not-So-Nervous American Resident
Currently, Salman Rushdie lives in the U.S., where he is relatively same from Iranian threats. Born into a Muslim family in Bombay, India, Rushdie has never lived in Iran. Today, Rushdie declares himself an atheist, as it was his fourth novel titled Satanic Verses that has fueled the wrath by Islamic fundamentalists in Iran and elsewhere. Rushdie also had the distinct honor of making an Al-Qaeda hit list in 2010. On the positive side, Rushdie has been knighted by the Queen of England, plus he has received numerous literary awards, including membership in the British Royal Society of Literature.
Every February Rushdie receives a not-so-friendly Valentine’s Day card from Revolutionary Guard of Iran, kindly reminding him that he is still on their hit-list. Though the threats have been numerous, the closest anyone has come to killing Rushdie occurred in London, England in 1999, when a bombmaker died, while trying to make a book bomb. The blast was strong enough to also take out two floors of a London hotel, where the bombmaker lived. At present, the current threats seem more rhetorical than real and hopefully the situation will stay that way.
Short stories are often considered the building blocks of the literary world. Learn to write a good short, and all of a sudden you will find that your avenues of literary communication have broadened dramatically. For example, the short story format can be expanded to create a screenplay, a stage play or a novella. Another alternative is to string together a linked series of short stories to create a full length novel. No matter, how you look at it, putting together a good short is nothing but beneficial to writers of all levels.
Following are a few methods you might consider when you desire to shortcut the creative process.
Get Hammered and Just Let The Words Flow Onto The Paper
Alcohol has long been a substance associated with and abused by writers, especially of the male gender. Furthermore, writers such as Ernest Hemingway and Hunter Thompson were sometimes associated with doing their best work while under the influence. With Hemingway this is mostly myth, for even though the American novelist was often photographed in bars and taverns with a drink in hand, most observers believe that Ernest usually did not crack open a bottle until he was done writing for the day.
Unfortunately, such is not the case for his Parisian ex-pat buddy, F. Scott Fitzgerald, who according to his buddy, Ernest, had a horrendous drinking problem. In fact, the publication of A Movable Feast, which describes in sordid detail, F. Scott’s Parisian drinking escapades, was not published until after Hemingway’s death, in part, due to the stark portrayal of Fitzgerald and other American ex-pats .
Unfortunately, F. Scott Fitzgerald is not the only notable writer to have died at early age from alcohol abuse. Other members of this not-so-elite- club include Jack Kerouac, Jack London, Dylan Thomas and Edgar Allan Poe. Fortunately, the women seemed to have fared better with the bottle, though they are not exempt from the excesses of imbibing.
Write An Outline and Spend Lots of Time Getting Organizing Before You Actually Begin Writing
There are two schools of thought here. The first is to outline, organize and pre-plan thoroughly before you actually glue your ass to the chair and churn out a manuscript, ASAP. After all if it worked for Jack Kerouac (On The Road), it will surely work for you.
The second is to write by the seat of pants, but who really wants to put words down in that fashion.
P.S. Other novels that were penned in very short order include Fahrenheit 451 (Ray Bradbury), Enders Game (Orson Scott Card), The Gambler ( Fyodor Dostoyevsky) and A Catcher In the Rye (J.D. Salinger).
Play It Safe, Don’t Take Any Risks
The more comfortable you are, the better your writing will be. Just look at Homer.
Seek Out Agents and Publishers As You Write
If you got a really great idea, the publishing world will flock to your doorstep. No need to have the whole manuscript written out beforehand, just get the general gist of your concept down on paper, and then start making contacts. The rest should be relatively easy.
Write Only About Your Own Experiences
All you have to do is follow that old axiom, Write What You Know; you can’t go wrong. If Mark Twain said it, it must be good advice. Even today, an up and coming writer will see and hear this said from all sorts of sources. Best advice is to follow this attitude religiously and if you happen to come across a Nobel Prize winner who advises differently, you should discard those words immediately.
In case you don’t know who Jack London was, just go backtrack a few years to your American Lit class in any basic English course. Chances are you will come across a story about the Alaskan frontier titled, To Build a Fire. That story was written by Jack London, based on his adventures and prospecting up on the Klondike trail way back at the end of the 19th century.
But there was a lot more to Jack than that one short story, for the man from the West Coast was a well-rounded traveler, hobo and adventurer. Unfortunately, he was also a very accomplished drinker, for like too many great writers, alcohol consumption killed him at age 40. Still, in his short time on the planet, the author from Oakland, California left numerous novels and short story collections for readers to consume, long after he passed away in 1916. Some of Jack’s best know novels include Call of the Wild, White Fang and The Sea Wolf.
One of my my favorite Jack London books is his hobo memoir, called The Road. Here, he recollects his rough and tumble days of the early 1890s before he went north on the Klondike Trail in search of wealth and gold. In The Road, Jack recounts the hard times brought on by the financial crisis of 1893 and how he survived the difficult times by riding trains, begging for a meal and trying to stay clear of the police, who were always throwing bums in jail. (Jack actually landed himself in jail and fortunately he recounts his jail time in The Road.)
The Storyteller’s Art
From The Road comes this little gem of a quote. “I have often thought that to this training of my tramp days is due much of my success as a story-writer. In order to get food whereby I lived, I was compelled to tell tall tales that rang true. At the back door, out of inexorable necessity, is developed the convincingness and sincerity laid down by all authorities on the art of the short story.” In order words Jack often had to lie his butt off in order to keep from starving to death. Times must have been quite difficult in those days, before it became commonplace for charitable groups to provide food and shelter for those without a place to live or food to eat.
More Words of Wisdom
Incidentally, Mark Twain, who had his own share of mis-adventures and times on the street, said the same basic thing quite succinctly. “Never let the truth get in the way of a good story.” So does this mean that to be a successful story-writer, you need to drop out of school and devoid yourself of all worldly goods. Of course not, though the life of asceticism could give you some memorable life experiences to write about. Then again you don’t want to end up like Christopher McCandless, where you end up as the subject of a book (Into The Wild) rather than an author. But even in these early decades of the 21st century, there is a lot to say for taking risks both in lifestyles and written content.
The Korean protest against the showing of a movie, called The Interview, is kind of old news now, especially after the tragic events that just unfolded in Paris, France, just a few days ago. Still, I would like to explore how SONY inadvertently explored some new ways of releasing a film…and how they surprisingly recouped most of their production costs (estimated are at around 44million), once they did decide to go through with the Christmas Day release.
On Nov. 24, about a month before its scheduled theatrical release, SONY got seriously hacked. Within a few weeks, SONY announced that it would not release The Interview, even though the Dec. 11 West Coast premiere did take place. Then, right before Christmas, SONY had a change of heart. They would release The Interview both in the theater and through online venues like Google Play and Video on Demand. Though the cinematic showing was limited, the online streaming and downloading of this feature length movie then go forward, as planned.
Some Facts and Figures
As of Jan. 6, the Interview has pulled in 31 million through Video On Demand and another 5 million through its limited theatrical debut. I’m sure the film would have done better at the box office under normal conditions, but right now the film sales must in what can be best called a salvage operation. The film cost only 44 million to make, but add distribution and marketing and now you have a film that runs close to 75 million. And this doesn’t even touch the expenses that were run up, after the SONY Corp. got so badly hacked, for there’s no telling what that cause the entertainment giant.
Has the Interview Enhanced Online Viewing
Even so, there is a definite silver lining in this cloud. And that would be how the enhanced VOD sales, courtesy of a very, ticked off head-of-state in North Korea, saved this movie and perhaps changed the playing field, when marketing a feature length movie. This was happening even before the ‘Interview’ fiasco, but even more than before, producers now must be taking in and discussing how to maximize both types of viewing and sales, when releasing a new movie.
Summing It Up
I’m sure this is big news to Netflix and its upstart challenger, Amazon Prime, who both have tapped into the online streaming market, while completely ignoring (thus far) the virtual reality of showing a full-length movie in a brick-and-mortar movie theater. I can’t help to contemplate that the news that Woody Allen is now in cahoots with Amazon Prime, somehow indicates that dual (theater and online ) releases may in the (near) future plans.
Recently, I had the pleasant opportunity of viewing one of Amazon Studio’s new releases, Gortimer Gibbon’s Life on Normal Street. It was an enjoying half-hour program about three kids finding their own adventure on an unusually hot summer day. The first of this kid’s series was done very well. The Main Street setting and the liberal use of magic realism reminded me of some of Ray Bradbury tales from his childhood in Waukegan, Illinois. Created by David Anaxagoras, this story came to Amazon Studios by open submission.
Amazon Studios is Amazon’s answer to Netflix. The above-mentioned, Gortimer Gibbon’s Life on Normal Street, is just the first in a line of TV pilots and movies from Amazon Studios that can be downloaded and watched on various electronic devices, ranging from a Smartphone to a large flat screen TV. These programs usually cost to view, but some pilots can be watched free of charge by the general public, as was the case with the first episode of Gortimer Gibbons. The point here, is that Amazon is a company that seems willing and capable of expanding its creative efforts. And in the case of Amazon Studios, they are more than willing to deal directly with writers in developing visual content.
Hachette and Simon & Schuster
Though these two Big Five publishers appear to have received the better part of their deal with Amazon. However, they, along with other large-scale publishers, may face an uncertain future with the paperback bestseller. The high-priced e-book deal these companies cut with Amazon is designed to aid the sale of paperbacks. I don’t know of anybody that believes e-books will replace the paperback, but they will take a larger slice of the pie in the upcoming years. Just how big this slice will be could depend on how well each party plays its own hand.
Strangely enough, the biggest problem for these publishers may be their parent companies, who may demand maximum profits at the expense of literary quality, fair royalties for writers and incentives to diversify. The Big Five may not be doomed as some the new Kindle millionaires may suggest, but they certainly do face a challenging future.
“As with most battles, all combatants lost a little something in end.” Mark Coker, CEO of Smashwords
Last week, Amazon and Hachette came to a tenuous agreement on their feud concerning ebook pricing. The Amazon-Hachette settlement followed an Amazon-Simon & Schuster agreement that went down just a few weeks ago. If you stand back and look at both agreements, they are not all that different. The Agency means of ebook pricing pretty much stayed in tact. What this means is that the publisher (Hachette and Simon & Schuster), gets to set ebook prices in most cases. Amazon gets to some discounting (they wanted much more), but only under certain circumstances.
Good News for the Print Market
Most observers believe that Hachette and the Big Five publishers wanted to keep ebook prices high so that they could discourage ebook sales and push paper sales, which at present are their main bread and butter. This should benefit authors, who are capable of generating large numbers of paperback sales in the mass marketplace. It is no wonder than best-selling authors such as Stephen King, Tess Gerritsen, James Paterson, JK Rowling, John Grisham and Donna Tartt, all supported high-priced ebooks to keep paperback sales high.
This agreement that Simon & Schuster first achieved will most likely set the tone for any negotiation between Amazon and any other Big Five or large-scale publisher. Although Amazon did get some concessions, these terms favor the short-term livelihood of the large publisher.
Why Indie Authors Might Be the Big Winner
By keeping ebook prices high for traditional authors, self published ebook authors, who keep their prices low and royalties high, may be the biggest winners. For those working outside a major paper publisher, large sales and high royalties are possible by placing a book in the $2.99 to $7.99 range, not only through Amazon, but with other ebook publishers as well. By maintaining the status quo, Big Five publishers may drive more readers to the Indie market, where ebook prices will probably stay the same in the near future.
The Ultimate Irony
The ultimate irony is that in order to develop and encourage new talent that can create mass paperback sales, companies like Hachette may have to mine the field of self-published Indie authors. This situation may come to exist if the Agency model does become less lucrative for mid list and first time authors. In this situation, much depends on how much of an overall share the ebook market achieves.
Hachette’s (and other Big 5) Dilemma
After this agreement, Hachette will come under increasing pressure to raise ebook royalties for authors and also to show a better bottom line in profits to its parent company, Legendaire. These could be conflicting demands that will never be met at the same time….or a situation, where the publisher might opt for lower ebook prices to increase sale and profits.