Cowboy poetry readings are usually called gatherings and may occur at any time of the year. For example, The National Cowboy Poetry Gathering is held every winter (late January or early February) in Elko, Nevada at the Western Folklife Center. The get-together lasts for a long weekend and includes film and music performances, along with the traditional poetry reading and storytelling sequences. It is also a big social event, where members of the sponsoring organization have a chance to get together and share experiences.
Besides the big event at Elko, there are many other Cowboy poetry events that are held around the country. Not surprisingly, many are held in Western States, where ranching is still a way of life. For example, Texas, Montana and Wyoming all have such events on an annual basis. And then, on a smaller scale, fans of this venue can find numerous smaller poetry events, usually supported by interested municipalities, folklore museums and heritage sites. Add all this together and you have an extensive network that supports the colorful poets, storytellers and musicians.
The Bet at the Bar
Watch below, as Waddie Mitchell recounts his humorous tale, The Bet at the Bar. This performance is from the National Cowboy Poetry Gathering in Elko, Nevada.
Music and Poetry
Music is also an important part of Cowboy poetry gatherings. Here Michael Martin Murphy, a successful recording artist in his own right, performs a song at the Elko national gathering.
You would think that by now that the grand wizards of Iran would have come to terms with the renegade writings of Salman Rushdie……But apparently they have not. Believe it or not, Salman Rushdie is back on the Persian hit list of undesirables. (I’m not certain if he was ever free from those lists.) Obviously, there is one thing that is still true. And that one thing is, that for insulting the status quo of Revolutionary Iran, there are no statue of limitations. In fact, as the situation presently stands, the Fatwa on Rushdie was never taken off, but instead it was increased in recent weeks, possibly due to the changing economic picture in Iran. According to PEN, the bounty has received at increase of approximately $600,000 to the already existing 2.8 million.
Could Elections Actually Change Things?
Recently, Iran made international news by holding national elections that did not go quite go the way that the conservative hardliners wanted. However good this may sound, this is not a new struggle in Iran. Centrists, moderates and progressives have from time to time been able to create change in Iran, through elections and other means. Whether the country’s newly signed nuclear deal with the West will actually help secular Iran remains to be seen, but there is definitely a political divide in Iran between the fundamentalists and those who wish to see Iran modernized. This has been going on for years and it is possible that the agreement with the West could benefit these people.
A Not-So-Nervous American Resident
Currently, Salman Rushdie lives in the U.S., where he is relatively same from Iranian threats. Born into a Muslim family in Bombay, India, Rushdie has never lived in Iran. Today, Rushdie declares himself an atheist, as it was his fourth novel titled Satanic Verses that has fueled the wrath by Islamic fundamentalists in Iran and elsewhere. Rushdie also had the distinct honor of making an Al-Qaeda hit list in 2010. On the positive side, Rushdie has been knighted by the Queen of England, plus he has received numerous literary awards, including membership in the British Royal Society of Literature.
Every February Rushdie receives a not-so-friendly Valentine’s Day card from Revolutionary Guard of Iran, kindly reminding him that he is still on their hit-list. Though the threats have been numerous, the closest anyone has come to killing Rushdie occurred in London, England in 1999, when a bombmaker died, while trying to make a book bomb. The blast was strong enough to also take out two floors of a London hotel, where the bombmaker lived. At present, the current threats seem more rhetorical than real and hopefully the situation will stay that way.
Short stories are often considered the building blocks of the literary world. Learn to write a good short, and all of a sudden you will find that your avenues of literary communication have broadened dramatically. For example, the short story format can be expanded to create a screenplay, a stage play or a novella. Another alternative is to string together a linked series of short stories to create a full length novel. No matter, how you look at it, putting together a good short is nothing but beneficial to writers of all levels.
Following are a few methods you might consider when you desire to shortcut the creative process.
Get Hammered and Just Let The Words Flow Onto The Paper
Alcohol has long been a substance associated with and abused by writers, especially of the male gender. Furthermore, writers such as Ernest Hemingway and Hunter Thompson were sometimes associated with doing their best work while under the influence. With Hemingway this is mostly myth, for even though the American novelist was often photographed in bars and taverns with a drink in hand, most observers believe that Ernest usually did not crack open a bottle until he was done writing for the day.
Unfortunately, such is not the case for his Parisian ex-pat buddy, F. Scott Fitzgerald, who according to his buddy, Ernest, had a horrendous drinking problem. In fact, the publication of A Movable Feast, which describes in sordid detail, F. Scott’s Parisian drinking escapades, was not published until after Hemingway’s death, in part, due to the stark portrayal of Fitzgerald and other American ex-pats .
Unfortunately, F. Scott Fitzgerald is not the only notable writer to have died at early age from alcohol abuse. Other members of this not-so-elite- club include Jack Kerouac, Jack London, Dylan Thomas and Edgar Allan Poe. Fortunately, the women seemed to have fared better with the bottle, though they are not exempt from the excesses of imbibing.
Write An Outline and Spend Lots of Time Getting Organizing Before You Actually Begin Writing
There are two schools of thought here. The first is to outline, organize and pre-plan thoroughly before you actually glue your ass to the chair and churn out a manuscript, ASAP. After all if it worked for Jack Kerouac (On The Road), it will surely work for you.
The second is to write by the seat of pants, but who really wants to put words down in that fashion.
P.S. Other novels that were penned in very short order include Fahrenheit 451 (Ray Bradbury), Enders Game (Orson Scott Card), The Gambler ( Fyodor Dostoyevsky) and A Catcher In the Rye (J.D. Salinger).
Play It Safe, Don’t Take Any Risks
The more comfortable you are, the better your writing will be. Just look at Homer.
Seek Out Agents and Publishers As You Write
If you got a really great idea, the publishing world will flock to your doorstep. No need to have the whole manuscript written out beforehand, just get the general gist of your concept down on paper, and then start making contacts. The rest should be relatively easy.
Write Only About Your Own Experiences
All you have to do is follow that old axiom, Write What You Know; you can’t go wrong. If Mark Twain said it, it must be good advice. Even today, an up and coming writer will see and hear this said from all sorts of sources. Best advice is to follow this attitude religiously and if you happen to come across a Nobel Prize winner who advises differently, you should discard those words immediately.
In case you don’t know who Jack London was, just go backtrack a few years to your American Lit class in any basic English course. Chances are you will come across a story about the Alaskan frontier titled, To Build a Fire. That story was written by Jack London, based on his adventures and prospecting up on the Klondike trail way back at the end of the 19th century.
But there was a lot more to Jack than that one short story, for the man from the West Coast was a well-rounded traveler, hobo and adventurer. Unfortunately, he was also a very accomplished drinker, for like too many great writers, alcohol consumption killed him at age 40. Still, in his short time on the planet, the author from Oakland, California left numerous novels and short story collections for readers to consume, long after he passed away in 1916. Some of Jack’s best know novels include Call of the Wild, White Fang and The Sea Wolf.
One of my my favorite Jack London books is his hobo memoir, called The Road. Here, he recollects his rough and tumble days of the early 1890s before he went north on the Klondike Trail in search of wealth and gold. In The Road, Jack recounts the hard times brought on by the financial crisis of 1893 and how he survived the difficult times by riding trains, begging for a meal and trying to stay clear of the police, who were always throwing bums in jail. (Jack actually landed himself in jail and fortunately he recounts his jail time in The Road.)
The Storyteller’s Art
From The Road comes this little gem of a quote. “I have often thought that to this training of my tramp days is due much of my success as a story-writer. In order to get food whereby I lived, I was compelled to tell tall tales that rang true. At the back door, out of inexorable necessity, is developed the convincingness and sincerity laid down by all authorities on the art of the short story.” In order words Jack often had to lie his butt off in order to keep from starving to death. Times must have been quite difficult in those days, before it became commonplace for charitable groups to provide food and shelter for those without a place to live or food to eat.
More Words of Wisdom
Incidentally, Mark Twain, who had his own share of mis-adventures and times on the street, said the same basic thing quite succinctly. “Never let the truth get in the way of a good story.” So does this mean that to be a successful story-writer, you need to drop out of school and devoid yourself of all worldly goods. Of course not, though the life of asceticism could give you some memorable life experiences to write about. Then again you don’t want to end up like Christopher McCandless, where you end up as the subject of a book (Into The Wild) rather than an author. But even in these early decades of the 21st century, there is a lot to say for taking risks both in lifestyles and written content.
The Korean protest against the showing of a movie, called The Interview, is kind of old news now, especially after the tragic events that just unfolded in Paris, France, just a few days ago. Still, I would like to explore how SONY inadvertently explored some new ways of releasing a film…and how they surprisingly recouped most of their production costs (estimated are at around 44million), once they did decide to go through with the Christmas Day release.
On Nov. 24, about a month before its scheduled theatrical release, SONY got seriously hacked. Within a few weeks, SONY announced that it would not release The Interview, even though the Dec. 11 West Coast premiere did take place. Then, right before Christmas, SONY had a change of heart. They would release The Interview both in the theater and through online venues like Google Play and Video on Demand. Though the cinematic showing was limited, the online streaming and downloading of this feature length movie then go forward, as planned.
Some Facts and Figures
As of Jan. 6, the Interview has pulled in 31 million through Video On Demand and another 5 million through its limited theatrical debut. I’m sure the film would have done better at the box office under normal conditions, but right now the film sales must in what can be best called a salvage operation. The film cost only 44 million to make, but add distribution and marketing and now you have a film that runs close to 75 million. And this doesn’t even touch the expenses that were run up, after the SONY Corp. got so badly hacked, for there’s no telling what that cause the entertainment giant.
Has the Interview Enhanced Online Viewing
Even so, there is a definite silver lining in this cloud. And that would be how the enhanced VOD sales, courtesy of a very, ticked off head-of-state in North Korea, saved this movie and perhaps changed the playing field, when marketing a feature length movie. This was happening even before the ‘Interview’ fiasco, but even more than before, producers now must be taking in and discussing how to maximize both types of viewing and sales, when releasing a new movie.
Summing It Up
I’m sure this is big news to Netflix and its upstart challenger, Amazon Prime, who both have tapped into the online streaming market, while completely ignoring (thus far) the virtual reality of showing a full-length movie in a brick-and-mortar movie theater. I can’t help to contemplate that the news that Woody Allen is now in cahoots with Amazon Prime, somehow indicates that dual (theater and online ) releases may in the (near) future plans.
Recently, I had the pleasant opportunity of viewing one of Amazon Studio’s new releases, Gortimer Gibbon’s Life on Normal Street. It was an enjoying half-hour program about three kids finding their own adventure on an unusually hot summer day. The first of this kid’s series was done very well. The Main Street setting and the liberal use of magic realism reminded me of some of Ray Bradbury tales from his childhood in Waukegan, Illinois. Created by David Anaxagoras, this story came to Amazon Studios by open submission.
Amazon Studios is Amazon’s answer to Netflix. The above-mentioned, Gortimer Gibbon’s Life on Normal Street, is just the first in a line of TV pilots and movies from Amazon Studios that can be downloaded and watched on various electronic devices, ranging from a Smartphone to a large flat screen TV. These programs usually cost to view, but some pilots can be watched free of charge by the general public, as was the case with the first episode of Gortimer Gibbons. The point here, is that Amazon is a company that seems willing and capable of expanding its creative efforts. And in the case of Amazon Studios, they are more than willing to deal directly with writers in developing visual content.
Hachette and Simon & Schuster
Though these two Big Five publishers appear to have received the better part of their deal with Amazon. However, they, along with other large-scale publishers, may face an uncertain future with the paperback bestseller. The high-priced e-book deal these companies cut with Amazon is designed to aid the sale of paperbacks. I don’t know of anybody that believes e-books will replace the paperback, but they will take a larger slice of the pie in the upcoming years. Just how big this slice will be could depend on how well each party plays its own hand.
Strangely enough, the biggest problem for these publishers may be their parent companies, who may demand maximum profits at the expense of literary quality, fair royalties for writers and incentives to diversify. The Big Five may not be doomed as some the new Kindle millionaires may suggest, but they certainly do face a challenging future.
“As with most battles, all combatants lost a little something in end.” Mark Coker, CEO of Smashwords
Last week, Amazon and Hachette came to a tenuous agreement on their feud concerning ebook pricing. The Amazon-Hachette settlement followed an Amazon-Simon & Schuster agreement that went down just a few weeks ago. If you stand back and look at both agreements, they are not all that different. The Agency means of ebook pricing pretty much stayed in tact. What this means is that the publisher (Hachette and Simon & Schuster), gets to set ebook prices in most cases. Amazon gets to some discounting (they wanted much more), but only under certain circumstances.
Good News for the Print Market
Most observers believe that Hachette and the Big Five publishers wanted to keep ebook prices high so that they could discourage ebook sales and push paper sales, which at present are their main bread and butter. This should benefit authors, who are capable of generating large numbers of paperback sales in the mass marketplace. It is no wonder than best-selling authors such as Stephen King, Tess Gerritsen, James Paterson, JK Rowling, John Grisham and Donna Tartt, all supported high-priced ebooks to keep paperback sales high.
This agreement that Simon & Schuster first achieved will most likely set the tone for any negotiation between Amazon and any other Big Five or large-scale publisher. Although Amazon did get some concessions, these terms favor the short-term livelihood of the large publisher.
Why Indie Authors Might Be the Big Winner
By keeping ebook prices high for traditional authors, self published ebook authors, who keep their prices low and royalties high, may be the biggest winners. For those working outside a major paper publisher, large sales and high royalties are possible by placing a book in the $2.99 to $7.99 range, not only through Amazon, but with other ebook publishers as well. By maintaining the status quo, Big Five publishers may drive more readers to the Indie market, where ebook prices will probably stay the same in the near future.
The Ultimate Irony
The ultimate irony is that in order to develop and encourage new talent that can create mass paperback sales, companies like Hachette may have to mine the field of self-published Indie authors. This situation may come to exist if the Agency model does become less lucrative for mid list and first time authors. In this situation, much depends on how much of an overall share the ebook market achieves.
Hachette’s (and other Big 5) Dilemma
After this agreement, Hachette will come under increasing pressure to raise ebook royalties for authors and also to show a better bottom line in profits to its parent company, Legendaire. These could be conflicting demands that will never be met at the same time….or a situation, where the publisher might opt for lower ebook prices to increase sale and profits.
November is Native American Heritage month and so I thought that I might shine a spotlight on U.S. Native American authors, writing in the English language. I was completely unaware of the official designation until I chanced upon a table of books authored by American Indians. This small display was located in downtown Santa Fe at the Santa Fe Public Library. By coincidence, the Institute for American Indian Arts (IAIA) exhibition space is located just down the street. This institution is a national arts college for American Indian students, where many disciplines are taught, including creative writing.
An Overview of American Indian Writing
Though American Indian oratory has been an important part of American history for many years, creative Native American writing has been largely a contemporary phenomena. In recent years, American Indian writers have become more noticeable in the literary marketplace. Perhaps, all of this began, when M. Scott Momaday published House Made of Dawn, a short novel that achieved literary fame, when the tale of the Southwest won the Pulitzer Prize for Fiction in 1969. Following is a quick look at Native American writers, who are readily available in most bookstores, along with a short selection of eclectic writers, who may not be as readily available.
The Big Names
Sherman Alexie – Mr. Alexie has been writing novels for years, but when The Absolutely True Diary of a Part-Time Indian received the National Book Award for Young People’s Literature in 2007, the author from the Spokane reservation in Eastern Washington was suddenly thrust into the national spotlight. Most of his captivating titles are readily available in any bookstore.
N. Scott Momaday – Already mentioned for his Pulitzer Prize, Momaday is an Oklahoma native of the Kiowa nation, who has written may books of stories and fiction. Besides The House Made of Dawn, you might come across The Way To Rainy Mountain along with some of his more obscure titles in your search for Native American authors.
Louise Erdrich – Louise is an enrolled member of the Turtle Mountain Band of Chippewas. She has written many novels and stories about Native life in the upper Midwest and Great Plains. She also owns and operates a Native American bookstore, Birchbark Books, in the Twin Cities of Minnesota.
Linda Hogan – Though more obscure than the above three authors, Ms. Hogan (Chickasaw) has over the years put out an impressive array of novels, short stories and non-fiction titles. Some of her more prominent titles include Mean Spirit, Solar Storms and People of the Whale.
Leslie Marmon Silko – Leslie grew up on the edge of Pueblo society in central New Mexico in the 50s and 60s. Nonetheless, she would receive national acclaim for some of her stories and books. Her short story, The Man to Send Rain Clouds, received a National Endowment for the Humanities Discovery Grant shortly after the story was first published in 1969.
Not all Native American writers produce written works that go on to find national distribution and acceptance. Still, that does not mean that these “lesser works” are without inspiration, merit or good storytelling. Many of these writers have found an important niche as observers of the American scene on a local or regional level. Following are a very select few taken from a much larger group that always seems to be getting bigger. Please note that only a few of the following poets and writers work solely in the literary mode. Many have expanded their voice to the realm music. To paraphrase one Native American poet turned performer, Roxy Gordon, “you have to go where the audience is”
Louis “Little Coon” Oliver – Louis died in 1991 and during his lifetime he only published two books. Nonetheless, his ramblings about tribal life and modern society filled with his humorous and satirical observations were enjoyed by many. Louis was born in Oklahoma, when it was still a territory and was a part of th the Muscogee Creek nation. He was ostracized by many of his tribal members for attending high school and actually obtaining a diploma.
Joy Harjo and Poetic Justice – Joy Harjo is an Oklahoma (Mvskoke Creek) poet , who after publishing several books of poetry, decided to form a band and go on stage. Still essentially a poet, Joy often performs around the country with her musical ensemble, Poetic Justice.
Joseph Bruchac – Though a long-time resident of the Iroquois country in upstate NY, Joe comes from Vermont, where he is connected with the Abanakis. Not only has Joe written numerous articles, stories and books about the Indian life in the Northeast and elsewhere, but also he is a major organizer of Native American literature and American Indian authors. Check out his Greenfield Review Press, for a major who’s who in tribal literature.
Without Rezervation – Without Rezervation was a Native American rap group from Oakland, California. During the 90s they cut 2 CDs and achieved some notoriety as on of the few (or possibly the only) Native American rap groups. The trio consisted of Chris LaMarr, Mike Marin, and Kevin Nez. The members of this group had Native roots in California (Pit River) and Arizona (Navajo)
Today is Labor Day and maybe it is a good time to celebrate those writers (and other artists), who held day jobs to support their dreams. Actually this list is quite long, so I will concentrate mostly on those who toiled in the “School of Hard Knocks” outside the academic system. For a close look at the various and sundry jobs, writers have held in order to maintain their craft, check out this article at Huffington Post.
Now…..Don’t get me wrong……Academia has produced some amazingly talented writers. First to mind, are those wonderful British professors, J.R.R. Tolkien and C.S. Lewis. They both taught at Oxford and at the same time each in his own right produced some of the most remarkable fiction of the mid-twentieth century. In fact, the two were best of friends, who created and nourished The Inklings, an extra-curriculum literary discussion group that always met in one of Oxford’s many well-attended watering holes.
Jack Kerouac and the Beats
Jack Kerouac and company are notorious for allegedly spurning a whole cultural revolution that spurned higher education and encouraged various non-conformist activities, such as socializing at coffee houses (and bars), digging jazz music and writing offbeat and dissident poetry. Except for Kerouac and Neal Cassady, this group racked up quite a slew of impressive academic credentials. Though Alan Ginsburg dropped out of Columbia to write poetry, he did return and complete his degree program. Furthermore, William Burroughs was a Harvard graduate., while Gegory Corso attended the elite university as a a non-matriculating student— a poet in residence. Rounding out the group are Gary Snyder, who attended UCal Berkeley and Lawrence Ferlinghetti, who received an advanced degree from the Sorbonne in Paris, France. All in all, that’s a pretty impressive collection of degrees and academic experiences.
The British Class System
Just by the sheer number of writers and poets that have come from the British Empire, this commonwealth of nations has to be one of the most literary places on the planet. Some of the Empire’s finest writers, actually grew up in the British hinterlands and so they never had to opportunity to attend an institute of higher learning. At the top of this list would be Doris Lessing, a Rhodesian writer, who recently received a Nobel Prize in Literature, and the ever-popular George Orwell, whose real name was Eric Blair. Eric grew up in remote India and so he was never able to obtain a proper education. Still, this did not prevent the writer from producing several 20th century classics.
Following are some classic titles by a few brave writers, who went out and did things for themselves…..and then wrote about it. In reality, there are many books in this field. These few titles are just a my personal favorites and perhaps a jumping off point for your own reading adventures……for there are many more great titles out there.
1. You Can’t Win by Jack Black This autobiographical tale from a turn-of-the-century hobo-cat burglar was William Burroughs favorite read. Need I say more.
2. The Drifting Cowboy by Will James Though born in Quebec, Will James (an alias used to cover his cattle rustling past) escaped to the U.S. and worked many western ranches as a 20th century cowhand and roper. He also worked as a Hollywood stunt man during the early years.
3. Down and Out In Paris and London by George Orwell Orwell’s firsthand account of washing dishes in 30s Paris and marching from one shelter to the next in England will leave you spellbound.
4. Roughing It by Mark Twain Before Twain made it big with Tom Sawyer, the man did many things including tramping across the West during the Civil War.
5. Wind, Sand and Stars by Antoine de Saint-Exupéry Here the author of the Little Prince recounts his flying days and a crash in the Sahara that may have lead to the petite prince story.
6. Education of a Wandering Man by Louis L’Amour Louis L’Amour was more than just a western writer. He was also a professional boxer and merchant marine who traveled the Seven Seas. This book takes you through his world traveling and roundabout ways of his younger days.
Perhaps the biggest working class heroes of all…….the Liverpool Lads
“They hate you if you’re clever and they despise a fool Till you’re so crazy you can’t follow their rules A working class hero is something to be”
This much used sci-fi quotation actually was first used by Dr. Who, not the Borg. The Borg is only the latest in a long line of alien entities to issue such an ultimatum to an inferior force. On a more humorous note check out President Obama as a Borg like creature in the caricature spoof at the bottom of the page. In a similar mode, I have included a collection of 13 quotes from both sci-fi writers and sci-fi movie characters. Check these out and see how they differ. Henri B
1. “I’m sorry, Dave, I’m afraid I cant do that.” – HAL 9000, 2001: A Space Odyssey (1968)
2. “Are you telling me you built a time machine… out of a Delorean?” – Marty McFly, Back to the Future (1985)
3. “It is curious how often you humans manage to obtain that which you do not want.” SPOCK, Star Trek: The Original Series, “Errand of Mercy”
4. “In my experience there is no such thing as luck.” by Ben Obi-Wan Kenobi in Star Wars Episode IV: A New Hope
5. “Quite an experience to live in fear, isn’t it? That’s what it is to be a slave.” -Roy Batty, Blade Runner
6. “(I’m) from another planet. Let’s just say that we’re neighbors.” Klaatu, The Day the Earth Stood Still
7. “If you’re going to make a science fiction movie, then have a hover craft chase, for God’s sake.” by Joss Whedon
8. “Hey doll, is this guy boring you? Come and talk to me. I’m from a different planet.” — Zaphod Beeblebrox in Douglas Adams, The Hitchhiker’s Guide to the Galaxy
9. “Destiny always seems decades away, but suddenly it’s not decades away; it’s right now. But maybe destiny is always right now, right here, right this very instant, maybe.” — Brother Joshua in A Canticle for Leibowitz by Walter Miller.
10. “Do…..or do not. There is no try.” Yoda, in The Empire Strikes Back
11. “Imagination is the key to my lyrics. The rest is painted with a little science fiction.” by Jimi Hendrix
12. “I realize that command does have its fascination, even under circumstances such as these, but I neither enjoy the idea of command nor am I frightened of it. It simply exists, and I will do whatever logically needs to be done.” SPOCK, Star Trek: The Original Series, “The Galileo Seven”
13. “Reality is that which, when you stop believing in it, doesn’t go away.” -Philip K. Dick