I have taken this week’s Illustration Friday topic and expanded it from the original “yarn” to the more colloquial “spin a yarn”. This term is kind of aphorism for storytelling in general, so what follows is a short discussion on storytelling.
Pinocchio may have been ridiculed in the old Italian folk tale, but if he was alive today, he might have a bright future as a fiction writer. Fact may be stranger than fiction, but some of the best storytelling comes from stretching a tale just a wee bit…unless, of course, your name is Jack Kerouac and you have a wild-eyed and revolutionary friend like Neal Cassady.
Or you can go for the big one that got away, which is kind of what Carlo Collodi did when he created his serialized children’s story, The Adventures of Pinocchio. Not does the story of Pinnocchio reveal an important moral lesson for children (Yes your lies will catch up with you eventually), but also it may transmit a more sinister truth to those authors who pine for a bigger audience. And that is sometimes it is the bigger falsification that wins over the most fans. Where would be today without such irrational classic of literature, as Jack and the Beanstalk, Alice in Wonderland, The Adventures of Baron von Munchausen, The Wizard of Oz, Gulliver’s Travels or Harry Potter.
Sometime,s it is the little fib that is most effective. In fact, there are a thousand places a struggling writer can ramp up a placid scene with stretching the action a wee bit. One of the first places that comes to mind is the bedroom, where there may be an encounter going on between two consenting adults. A little fib here can go a long ways in enhancing a story. But don’t limit your simple lies to the bedroom, for the sky is the limit with this aspect of storytelling. One of my favorite short stories to illuminate this point is The Three Hermits by Leo Tolstoy. Towards the end of the story, three fisherman pursue a boat, where a pious bishop is a passenger. The scene reveals that the three men are running across the water, “as though it were dry land”. All in all, this final scene of the story uses humor, a touch of fantasy and a biblical metaphor to make a point about faith in Christianity.
If you want to make a really big impression, why not go for the story, so far flung that nobody will believe it. This may sound like bad advice on the outside, but in reality it is some of our most preposterous tales that have eventually evolved into our most cherished fireside stories. By skewing all relationships to reality, the author can open the door for scathing satire, ridicule and contempt. To the novice this writer, this might be dangerous territory, but when done correctly, this type of treatment can turn a mundane take into a story for the ages.